Theodore Roussel
English Painter, 1847-1926
English painter and etcher of French birth. He was born and educated in France and settled in England in 1878, when he quickly established a reputation. Largely self-taught, his few extant early paintings show an eclectic style that combines the techniques of the Old Masters, which he studied in detail, with the subject-matter of modern urban life. In 1885 he was introduced to James McNeill Whistler, his neighbour in Chelsea, London, and in consequence a lifelong friendship was formed. As Roussel was a member of Whistler's London circle his work in watercolour and oil was influenced by the latter in style and choice of subject-matter. His oft-quoted remark that he was a 'pupil of Whistler' is, however, belied by his frequently distinct style, as seen in such paintings as the Reading Girl (1886-7; London, Tate). In 1888 Whistler introduced him to the techniques of etching and drypoint, resulting in such etchings as the Sign of the 'White Horse', Parson's Green (c. 1893-4; see Rutter, pl. xxx). For the remainder of his life he relentlessly pursued the medium, even, like Whistler, designing his own special frames. Always fascinated by the theoretical and practical nature of colour science, he constantly experimented and was an early pioneer of the technique of colour etching in England, producing such works as Dawn. Related Paintings of Theodore Roussel :. | Countess of Morton and Lady Dalkeith | Oak Trees near Apremont | The Reading Girl | Blue Thames End of a Summer Afternoon Chelsea | The Reading Girl | Related Artists: Maria Vospainted Stilleven met kan van steengoed in 1878 billy higginsFamous artist Charles Bargue (c. 1826/1827?CApril 61883) was a French artist, a lithographer as well as a painter, who devised a drawing course.
Charles Bargue is mostly remembered for his Cours de dessin, one of the most influential classical drawing courses conceived in collaboration with Jean-L??on G??rôme. The course, published between 1866 and 1871 by Goupil & Cie, and composed of 197 lithographs printed as individual sheets, was to guide students from plaster casts to the study of great master drawings and finally to drawing from the living model.
Among the artists whose work is based on the study of Bargue's platework, is Vincent van Gogh who copied the complete set in 1880/1881, and (at least a part of it) again in 1890.
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